Critics on the painter Vito Anastasiatis Masdea

Prof. On. Alfredo Pasolino

Of every its work it is rich of composition, whichever particular one is wanted to be taken to testimony. The atmosphere that it encircles to us sovente is dimmed from our indifference, from our problematic existential ones; well Vito Anastasiatis Masdea, imposes us to meet to us with they and of hesitate in they. And here that the Artist becomes the restorer of the atmosphere, for those its to replace in the just role the lines that they wrap, wraps, the colors; those natural colors that give the color table of Anastasiatis Masdea come at last ravviva you in one breathtaking chromatic rework. I said better that the atmosphere that encircles to us, has the colors that of it discriminate the aspects, to we appears but attenuated, or, is the our lack of appetite that of it provokes the darking of picture..

And if we tried instead stopping itself with the look on it, but not suggested from the scenics beauty of the place or from the tourist resolutions, therefore, we would discover, thanks to lightning bolts of memory of the works of Vito Anastasiatis Masdea, than all we make to fall the eyes we find of the lines that "they precede the colors". And we remain some astonished, fascinates to you, nevertheless it is the same nature that ce proposes them. The painter resumes of the lines, making them to slide itself along the harmonious distance that the natural order has indicated that to resume, and succeeds to us wrapping, cracking that colorful liveling that is its patrimony of ability.

The union therefore, line-colors, than ago of Vito Anastasiatis Masdea a true artist of the painting. I would want to describe every its job, but he is sufficient to praise the suggestion of the landscapes, that is that cosmic line that separates the matter from the spirit, the invalicabile frontier who separates the observer from the images when, storditi, we notice that in its nocturnes, the light who is in they, comes emanated just from the observer. Those unwrapped nocturnes therefore, contrast with the tendency of the painters to refuse the black color like ink, than for many artists it generates a refusal shape.

Prof. Franco Canosa

The painting of Vito Anastasiatis Masdea, in its convinced abstractionism, does not alter the mass of the colors, indeed those inks are amalgamated between of they rendering the reading of the work, always composed easier from those tenuous tones hour, hour violent. With its abstractionism the Master has traced a selce in the field of the art, and very knowing the tenacity and the stubborness that distinguishes it, will not hesitate to imposed to a more and more immense public, and to obtain from color table the best. Hour drawn its clear and are unwrapped, nearly that those soft lines wanted sublimare the painting and to render it more pleasant to the observer; and this is not that the glare of the mind of the Artist, is not that that sensibility, than transmitted to the work renders it pleasant. In fact its yellows, ocher, those greens underbrush, are harmonized in wonderful glares help you from the touch of rare ability from master that to the fine acronym, like conclusion, its burlaps; watching its pictures, it is had like the impression of a topic as soon as begun, but that it has all the talents and the values of an author painting.

Its works vibrate in every they paintbrush and in future it will be spoken about he and its talent, than it is not other that the glare of a painting that is completed through the tones and the pittoriche inks, than its color table skillfully it harmonizes. These its presentation are the results one of dramatic fights in the comparisons of the truth put into effect them, an authentic rebellion to the exasperating vice of the conditioned existence, than it pushes it to invade, beyond every obstacle, in the spaces of the "fantastic truth" and breaking up in molecules of light against the imposition of absurdities borders. The explosives colors converge like iridescents nucleus, on the radiating harmony of surrealistic worlds, place to you over roughness desert of fantastics trajectories. The real one defluidificated from the fantastic one that replaces it but it does not cancel it, succeeds to exceed it in expression power, making to rise the hypothesis of the concept through which it becomes possible to imprison in short space eternity gashes defrauds you to the infinite.

Antonio Malmo

The panorama of the figurative limbs, to international level, is living moments how much never criti us for the deficiency of universal values, is for "the determined" past from successes more or little "storics", are for the many vanguards, that they drew cues "originates them" for their thematic and their programmatiche search, for which "the specific" consequence performance of experiences turns out one, or motivations.

Also however, some time in this context, understood to appreciate the validity and "modernity" of the painting of some emergent artists, for the "contained interesting" of their artistic-cultural creations.

To my judgment, the painting of Vito Anastasiatis Masdea re-enters in the optical of how much today perceives the urgency to evidence the thousand "problematic ones" opened, in the contemporary society, more and more disheartened and humiliated from the dominant system, that it tries to level the "consciences", estro and the fantasy of those spirits that "escape" and "they various feel" without to conform itself to the "will" of power of the same system. Vito Anastasiatis Masdea possesses one artistic personality never singular, acquired how much through multiple and the interesting the painters, most valid experiences, searching and "reporting" expressively always to the prestigious of the poetics side inborn in all the manifestations of the nature.

Its color table, enough moved and various, is rich of colors vibrating and soft chromatic, for which the its "painted creatures", as it can itself be very noticed, space in the context of the work with a fluidity of the chromatic masses that "delineate", "suggest" and "they vanish" between separate-informal atmospheres, don't running after the photographic taken one of a landscape, a figure or "a silente" nature as the Main regret defined them George de Chirico.

For its artisitics-cultural creation the Master prefers "to pick" the truth in himself, escaping therefore to the realistic effect for the "chromatic-descriptive yield", to the search more and more emotions, natching therefore the attention and transporting it with the lively and the freedom of its fantasy towards very other Lydians, far away from the chaos he acclimatizes them and social, evidencing with "strong expressions" the existing imbalances in the ecosystem.

The suffering, the trouble, the anger, the rancor, the existential crisis of the contemporary man, can be very noticed in the presence of the colors tawny, wandering in its works, while the poetics side of its "creations" in the amalgam of the several tonalities of the yellows, the red ones, the white men and the blueta is visible, that they point out and they are pushed very beyond the meager space of the burlap.

Undoubtedly, Vito Anastasiatis Masdea possesses of the most excellent ones stilemi, in fact the singles of its "background paintings" can be perceived and its paint Master in delineating the perspective depths with a marked one I send back onirics to the times and to the places to he beloveds of the child status and the joung status, recreating the spirit of poetics "reappeared" never evocative and unforgettable landscapes how much to its memory, evokes to you of the deep one of the mind, to memory of its years passed to the south, burned and burns to you, but also always he fascinates to you and rich of only colors.

To the darked and cold atmospheres it prefers the blueness of skies and the greens sods of the southern campaign, rich of traditions, myths and legends that are recalled, sometimes strongly, to its Greek origin. For all that, me it seems right to draw the attention of the public and the critic, the most specialized, in order to value the meant to you messages contained in the painting of Vito Anastasiatis Masdea. AD MELIORA !!!

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